Jeff et Tonino venus de France, Geoff et ses frères
de Grande-Bretagne, Tana et Francesco qui viennent
de se marier en Italie, mais aussi Gabriel et
Virginie à Bruxelles, tous seront au rendez-vous du
" match du siècle " : la finale de la coupe d'Europe
des champions qui va se jouer au stade du Heysel, ce
29 mai 1985. La jalousie, le vol des billets,
l'insouciance d'une lune de miel : plus rien n'aura
d'importance après le désastre. Excepté de retrouver
Tana.
One night in Belgium
Andrew Hussey
For many years now, the French have produced some of
the best football writing in the world. L'Equipe and
magazines such as France Football and So Foot are
not only distinguished by their incisive approach to
the game but, like the French national team at its
best, combine intelligence with flair and
flamboyance. There is, too, a thriving underground
culture of blogs and fanzines, testimony not only to
the French love of football but also to the crucial
role it plays in the national psyche.
But there has never been any tradition in France of
serious book-length writing on what is effectively,
just as it is in England, the national game.
Equivalents of Nick Hornby and David Peace do not
exist in France and there is a prejudice against
football fans in the middle-class French
imagination.
This makes it all the more startling that two of the
most successful and provocative books recently
published in Paris have football-related themes. The
first of these is La Mélancolie de Zidane, a
treatise on the great France World Cup captain by
the Belgian writer and film-maker Jean-Philippe
Toussaint (see panel). More intriguing still is Dans
La Foule, a gripping 400-page fictional account of
the Heysel tragedy of 1985, when 39 fans were killed
at the European Cup final between Liverpool and
Juventus. The Tours-born author describes this match
as his 'September 11th moment'.
The story centres on four separate groups of
supporters drawn together in the terrible massacre
on the terraces in Brussels. These are the French
fans Jeff and Tonino; the Liverpool fan Geoff and
his brothers; a young Italian married couple called
Tania and Francesco; and the Belgians Gabriel and
Virginie. They first come together on the eve of the
match, drinking beer and swapping banter. On the day
of the final they become lost in the crowd, in the
confusion, the cries of hate and pain. They come
together again in the hospital, where they are
treated for shock and injuries. This is when Tania
realises that Francesco is missing, probably dead.
There is a slyly disingenuous but utterly convincing
confession from Geoff, which reminds the reader of
nothing so much as Meursault's final speech in
Albert Camus's L'Etranger.
Mauvignier's technique is impressive. The novel has
a polyphonic structure that allows each character to
take the lead in the appropriate chapter. This can
be disorientating - just like being in a real crowd
- but it is an effective and ultimately shattering
device that takes the novel beyond mere reportage
and into the more troubling and sinister terrain of
the minds of those who led the fighting at Heysel.
As a Liverpool fan myself, and one who like many
others watched events unfold that terrible night
with a mixture of dread and exhilaration, I was
alert to the novelist's tendency to simplify and
demonise football fans. Geoff emerges, however, as
an intelligent and fully nuanced character whose
real crime is to belong to a tribe, a crowd, and to
love the loss of self-consciousness that this
entails. All football fans know that this is a
fundamental part of who they are and why they watch
the game.
French intellectuals have not always scorned
football: the cultural theorist Jean Baudrillard
wrote brilliantly on Heysel in his essay 'The
Transparency of Evil'. Now, football is forcing a
new generation of writers to ask hard questions
about their culture, as vicious warfare between Arab
and working-class white supporters looks likely to
tear apart the once-great Paris Saint-Germain, while
Olympique de Marseille, fuelled by local patriotism,
continue their own strange campaign against the rest
of France. In the early 1970s, the Situationist
thinker Guy Debord described English football
hooligans as representing the vanguard of revolt
against what he termed 'the society of spectacle'.
This book is firmly in the same tradition of
sociological analysis but, at the same time - and
this is its strength - it demonstrates both the
compelling power of football culture as well as its
tragic capacity for self-destruction.
4 February 2007
Fonte: Theguardian.com
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